hyphae
collaborative
network

Upcoming public program. Details will be announced.

through every glitch and eruption was a group exhibition in a 19th-century folk Victorian house in Greensboro, Alabama, presented by hyphae collaborative network. Bringing together artists from Alabama and international contexts, the exhibition considered domestic space as a site of memory, residue, repair, and transformation.

Artists: Zebedee (Z.B.) Armstrong, Geraldine Belmont, William Christenberry, Thornton Dial, Susan Fitzsimmons, Beatrice Gibson, Bessie Harvey, Aki Illomäki, Adriano La Licata, Romana Londi, Peles Duo, Roseline Rannoch, Casey Roberts, Eva Seufert, Rob O’Shea, Thomas Lanigan-Schmidt, Purvis Young, Phillip Zach.

Electric Slide presented works by Mose T., Anna Zett, Eva Seufert, and Agatha Wara at fragile pa in Palermo, Italy. Taking its title from a 1980s painting by Alabamian artist Mose T., the exhibition followed gestures of repetition, decline, protest, and cultural afterlife across moving image, painting, textile, object, and language. Set within a domestic residency space, the exhibition traced how symbols, bodies, and images continue to circulate after the conditions that produced them have begun to shift, erode, or disappear.

HOSUE presented a screening program by hyphae collaborative network with High Water Incorporated and Cinema Fantastique at Studio Abadir in Greensboro, Alabama. Bringing together moving-image works by Gordon Matta-Clark, Eginhartz Kanter, Adam Kaplan, Karen Russo, and Phillip Zach alongside Gus Van Sant’s My Own Private Idaho, the program situates architecture as a psychic, social, and cinematic structure. Set in Greensboro, it places abandoned houses, experimental building, memory, and desire into proximity.

TV Snacks & a Spirit Box presented smaller-scale works by Charlie “The Tin Man” Lucas, born in 1951 in Pink Lily, Alabama, at Doom Spa in Berlin. Including paintings from the ongoing TV Snacks series, an assemblage work from his Spirit Box series, and an audio piece based on a conversation with Lucas, the exhibition marked his first solo presentation outside the United States. Bringing together found materials, autobiographical memory, inherited craft traditions, and Southern self-taught art histories, it situates his practice as an ongoing transformation of lived experience through material, memory, and inherited craft.

The Social Dance presented moving-image works by James Gregory Atkinson, Lasse Lau & Flo Maak, Valentin Noujaïm, and Anna Zett at the historic Harmony Club in Selma, Alabama. As hyphae collaborative network’s inaugural event, the program brought together films concerned with communal expression, self-empowerment, disappearing histories, and the social spaces through which communities gather, navigate pressure, and sustain collective memory. The event took place in a building long shaped by dance, cinema, preservation, and public life in Selma.