hyphae
collaborative
network

through every glitch and eruption was a group exhibition in a 19th-century folk Victorian house in Greensboro, Alabama, presented by hyphae collaborative network. Bringing together artists from Alabama and international contexts, the exhibition considered domestic space as a site of memory, residue, repair, and transformation.

Artists: Zebedee (Z.B.) Armstrong, Geraldine Belmont, William Christenberry, Thornton Dial, Susan Fitzsimmons, Beatrice Gibson, Bessie Harvey, Aki Illomäki, Adriano La Licata, Romana Londi, Peles Duo, Roseline Rannoch, Casey Roberts, Eva Seufert, Rob O’Shea, Thomas Lanigan-Schmidt, Purvis Young, Phillip Zach.

Group exhibition staged in a lived-in apartment setting, considering gestures of decline, cultural residue, historical re-enactment, and ideological slippage through choreography, resistance, and domestic space.

Valentine’s Day screening presented with High Water Incorporated and Cinema Fantastique, including video works by Gordon Matta-Clark, Eginhartz Kanter, Adam Kaplan, Karen Russo, and Phillip Zach, alongside Gus Van Sant’s My Own Private Idaho.

Public program and exhibition at the Harmony Club, developed as part of hyphae’s ongoing work around exchange, gathering, presentation, and cultural memory in Alabama.

Solo presentation of Charlie “The Tin Man” Lucas, curated by Littleton Odom and Phillip Zach, focusing on smaller works including the TV Snacks series and assemblage works referred to by Lucas as Spirit boxes.

Upcoming public program. Details will be announced.